Selma Review-Super Late Film Reviews

1964: Selma, Alabama. Despite being given the right to vote, African Americans around the country are being denied said right through rigorous intimidation and unfair practices. Enter Martin Luther King Jr, played to nuanced perfection by British Actor David Oyelowo who leads the inhabitants of Selma on a tumultuous journey from Selma to Montgomery in order to secure their rights in the face such violent and prejudiced opposition. So begins Ava DuVernay’s visually beautiful, quiet exploration into the people involved with the Civil Rights movement, their relationships and their personal struggles.

As the film opens to King and his wife Coretta (Carmen Ejogo) preparing for King to receive the Nobel Peace Prize, we in audience immediately realise this film will be big on the quiet interactions of its characters. Further reinforcing this is the innocent chatter of a group of young girls in church, chatter which is quickly cut short by what I can quite easily say was one of the most shocking scenes of violence I have ever viewed.

In the face of stubbornness from the President Lyndon B. Johnson, the fight for their right to vote is taken to Selma where before long, King and his colleagues become embroiled in a battle that completely transcends race and simply the displays the struggle for power between the oppressed and their oppressors.

Selma was certainly beautiful and intimate, with director DuVernay favouring close up shots to emphasise each character’s expression and reactions, giving a strong sense of humanity, person and realness to each individual role. In all honesty, the images that sear my mind are of the people; their emotions given more than just a cursory pan but rather a full focused moment in our sight. Unfortunately, this attention to detail meant that scenes were often protracted and bereft of enough action, often leaving the audience bored.

The standout of Selma was David Oyelowo’s performance as King.  All in all, Selma was a good film and despite it’s somewhat cliché ending (the whole end a historical/biopic film with ‘what happened after’ text writing thing is a bit done to death) and lack of real action, its great scenes redeemed it to a degree and left me thinking about it long after I walked out of the cinema.

7/10

All photos from the Selma promotional website